turbulent

Yes, the open stage was really turbulent! I'm still a little speechless. Particularly Somewhat unpleasantly, Martin's departure still haunts me in my head. What do you think – should we introduce a hard time limit or not? So far, we have always refused to look at a watch in a strict way. So please use the comment function here and write us your opinion!

5 thoughts on “turbulent”

  1. I also think that every artist should be able to see how long his planned program is beforehand at home. I do it that way, too. Of course, it also takes 2-3 minutes longer, because you do not have the interaction with the audience at home and you may live in action but sometimes something longer than planned. But that doesn’t actually exceed 3 minutes – at least from my side it didn’t feel that way during my performances (at least I hope my sense of time doesn’t deceive me).

    But whether the stopwatch is the solution?! How many times has this overdraft occurred so far? After a while, it wouldn't be so tragic. The suggested hand signal, when you're over it, would actually be a good approach.

  2. Surely I can only recommend everyone to practice a text more than once at home (musicians also cheat on your songs until they really can).
    Subtle signal is a good idea – but I would certainly forget to look at the clock at least half of the artists. Stephen – wouldn't that be any different for you? ?

  3. Spreading the word on the open stage deserves a ban!
    Anyone who appears with the attitude ‘I will stay here until everything yawns’ should be reminded at an appropriate time that he is not alone in the room!

    If, as a ramp, I am able to comply with the time limit set by the rules of the game, I expect the esteemed colleagues to do the same!
    And to try at home how long my contribution actually lasts may not only benefit the sense of time.

  4. I would not say ‘particularly unpleasant’, because then a lot or everything would have been unpleasant or otherwise wrong.

    It is rather a pity that Martin has significantly exceeded his time, regardless of the content and success of the text itself.
    Perhaps an acoustic sign makes sense when 10 minutes have passed and no end is looming. Most of the time, other contributors want to be on stage and the interplay of the contributions is part of the concept in addition to the openness.

    Stephen Blaubach

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