We are in a shabby bar around 1900. The wooden floor crackles and the air is filled with colorful lights. On stage, chic girls (and boys! and instruments!) dance a dance of emotion and make the audience brood. These included:
Thomas Jakob, who sang the theme ‘work’ with his guitar.
Martin Grellmann, who presented a text on religion, no, auditioned!
Captain Schnorres, who reported on ‘Dem Susi’, a lonely boy who is exploited by everyone and does not notice. In addition, he told of sadness *sniff*
Evy, who read three poems about men, people and emotions. From the phone and from the paper.
Alesia Artimovich, who played a ragtime song on the piano to match this review.
Aduna, who reported working in a call center.
After the break, DJ Flexible showed an excerpt from his Elektor music film ‘Rules of Dresden’.
Anne It showed how dates can work when combined with fish rolls and Reuma ointment.
Julio delighted us with his ukulele, his guitar and the piano that stood there. We were not only allowed to listen to his songs, but also to sing along!
Michael Winkler advertised the text exchange slam on the next stage Frei Dresden
Stefan told a scary story with a wedding dress.
Our frame singer Thomas Jakob called for ‘beer, beer, beer!’ in the last song and also the non-beer drinkers applauded ?smile? emoticon
Last but not least, Stephen Blaubach exhilarated us with exhilarating puns!
We're still in a shabby bar. The air is filled with friends and bliss that moves out like a cloud. The night is cold, but in our hearts it is very, very warm.
Many thanks to: the artists, the audience, the moderator duo, the (?) photographers, the technology and our bartender, who mastered his debut excellently
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